Senin, 25 April 2011
Get Free Ebook , by Marshall Dotson
Get Free Ebook , by Marshall Dotson
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, by Marshall Dotson
Get Free Ebook , by Marshall Dotson
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Product details
File Size: 1545 KB
Print Length: 410 pages
Simultaneous Device Usage: Unlimited
Publisher: Idea Brain Publishing (November 16, 2016)
Publication Date: November 16, 2016
Sold by: Amazon Digital Services LLC
Language: English
ASIN: B01MRL10N3
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Amazon Best Sellers Rank:
#110,594 Paid in Kindle Store (See Top 100 Paid in Kindle Store)
I purchased Marshall Dotson’s book in order to have a greater understanding of how to develop goals for my characters and strengthen the plots of my stories. I have to say, this book far exceeded my expectations. Dotson uses a six-act structure (which can easily fit into a three-act structure) to show the progression of actions and goals. Mr. Dotson organizes each chapter brilliantly, so that there is no way you can move past that chapter without having a solid understanding of the concepts. He uses multiple examples from movies and books to show the progression of goals and actions in a story. He breaks each act down into a structure that is easy to follow and he includes a reference guide at the end with a complete outline of all six acts. I started taking notes until I realized that the reference guide provided everything I needed. He also gives a final outline of all the movies and books he referenced, so you can see how each follows this structure from beginning to end. As a bonus, Mr. Dotson writes with humor and there were many moments I found myself laughing at his jokes. I’ve read a lot of books on structure, but this one tops the list. I hope Mr. Dotson publishes more books on writing.
This is the best book on story structure I've read so far. Coming up with plot is one of my biggest struggles with writing and I need a lot of guidance. I rely on structure as prompts to help me think of plot points and scenes. I was previously using the three act structure but it's so vague. I manage to think of a story skeleton with it but have a hard time filling in the scenes between those points.Doston provides an in-depth look at each of the six acts AND the various points that make them up. He doesn't just say, for example, that the first act is the setup and leave it at that like many other resources. He explains exactly how the setup tends to happen (initial goal, oppressive opposition, disturbance, dilemma, new role), which helped me plan the first act better.Although he doesn't explicitly say this, his system also accounts for the character arc so you don't have to plan it separately. He provides many diverse examples and summarizes everything in a neat little package at the end for quick reference. I was going to create my own template but then I took a look at his website (sixactstructure.com) and he even has templates for you.I used the template to plan my next project and came up with a plot that I feel pretty pleased with. I haven't started writing it yet but I don't feel lost or unsure of what's going to happen, which is the #1 problem I have when I finally start writing a first draft. Filling out the template only took a couple hours, compared to the days I used to spent trying to think of plot.If you, like me, struggle with plot and find that the more structure and guidance you have, the better, then you'll probably enjoy this book.
A story starts at the beginning and finishes at the end. If it inspires, entertains and makes sense, it is a success. And if it doesn’t make sense, the structure has failed and the story has failed. Marshall Dotson has drawn out the map to make sure that your story makes sense in every sense of the storyworld word. Aptly entitled ACTIONS AND GOALS, he calls his work structure breakdowns.I challenge any screenwriter, from the most recent Academy Award winner to the newest newbee weekend pantser to go through no more than 5 pages of Dotson’s manual without stopping to hurry back to their working script with new and creative ideas. And it’s like that all the way through this insightful and entertaining book.This is not a formulistic straightjacket but a handsome workout suit of clothes that lends itself to freedom while being fashionably dressed. It is as thought-stimulating as any writer’s manual I’ve ever seen.Not only is the teaching material concise and relevant, but it’s also presented in a way that makes the examples he uses truly meaningful. They stimulate your own creativity in dealing with the story you’re writing. Add in a good sense of humor and you’ve got an incredibly priced value of how to structure your baby.Then, after you’ve digested his manual, stop in at his website at SIXACTSTRUCTURE to get the latest additions to his growing volume of instruction.Marshall Dotson, unlike many others in this field, is continually adding to his structure breakdowns of recent movies and books with insightful commentary and videos.What a deal! Don Corleone would be proud. How can you refuse it?
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Sabtu, 23 April 2011
Get Free Ebook Makers: The New Industrial Revolution, by Chris Anderson
Get Free Ebook Makers: The New Industrial Revolution, by Chris Anderson
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Makers: The New Industrial Revolution, by Chris Anderson
Get Free Ebook Makers: The New Industrial Revolution, by Chris Anderson
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Review
"A thrilling manifesto, a call to arms to quit your day job, pick up your tools, and change the future of manufacturing and business forever.” –BoingBoing"Chris Anderson has been called many things: a visionary, a pioneer of the Internet economy, a proselytizer of DIY 2.0. But it's probably more apt to think of him as a weather vane: He might not control the winds of change, but he's often the first to see which way they're blowing." -Foreign Policy"Chris understands that the owners of the means of production get to decide what is produced. And now you're the owner. This book will change your life, whether you read it or not, so I suggest you get in early." –Seth Godin, bestselling author of Tribes and Purple Cow“A visionary preview of the next technological revolution. If you want to know where the future is headed, start here.” –Tom Rath, author of StrengthsFinder 2.0 “Makers is must read for understanding the transformative changes that are shaping, and will shape, the future of inventing.” –Dan Ariely, author of Predictably Irrational and The Upside of Irrationality"Inspiring and engaging. Anderson delivers a compelling blueprint of a future where America can lead in making things again." –Elon Musk, co-fouder of Tesla Motors and CEO of SpaceX “In Makers, Chris Anderson gives us a fascinating glimpse of a hands-on future, a future where ‘if you can imagine it, you can build it.’” –Dan Heath, co-author of Switch and Made to Stick“For those who have marveled at the way software has helped disrupt industry after industry - buckle up, that wave is coming soon to an industry near you. Chris Anderson has written a compelling and important book about how technology is about to completely shake up how America makes things. Required reading for entrepreneurs, policy makers, and leaders who want to survive and thrive in this brave new world.” –Eric Ries, author of The Lean Startup"The Maker movement powered by desktop manufacturing will revolutionize the global economy. Chris Anderson once again reinvents the future in "Makers": a big vision driven by down-to-earth and practical ideas. A must read for anyone who wants to see the leading edge of change." –Peter Schwartz, Co-founder of Global Business Network and author of The Art of the Long View
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About the Author
CHRIS ANDERSON is the CEO and co-founder of 3D Robotics, a fast-growing manufacturer of aerial robots, and DIY Drones. He was the editor in chief of Wired until 2012, during which, he led the magazine to multiple National Magazine Award nominations, as well as winning the prestigious top prize for General Excellence in 2005, 2007, and 2009. In 2009, the magazine was named Magazine of the Decade by the editors of AdWeek. Anderson is the author of the New York Times bestseller The Long Tail and Free: The Future of a Radical Price. He lives in the San Francisco Bay Area.
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Product details
Hardcover: 272 pages
Publisher: Crown Business; First edition (October 2, 2012)
Language: English
ISBN-10: 0307720950
ISBN-13: 978-0307720955
Product Dimensions:
6.4 x 1 x 9.6 inches
Shipping Weight: 1.9 pounds (View shipping rates and policies)
Average Customer Review:
4.4 out of 5 stars
221 customer reviews
Amazon Best Sellers Rank:
#346,706 in Books (See Top 100 in Books)
This review is not at all about the content. This is about the physical quality of the paperback volume as I received it. The cover is fine. The pages are printed on a far from white and a little like newspapers but not that bad, but cheap not a bit smooth or hard. The worst part is the type density. Grey not black. The result is an unpleasant read. Need to concentrate on what is on the page. May be they were running out of ink or toner on my copy. Poor contrast. Cherry Books says I pay return shipping plus 15% restocking so I 'll keep it. As to content. Again I have to hear about HP and Apple starting in garages. Maybe a hundred times now. Book cover states THE NEW INDUSTRIAL REVOLUTION. How new? Not so new. Ford started in a family shed. The Wright brothers. Thomas Edison. Alexander Bell. Enough said?
This is a good book on an interesting topic. I run cabinet shop in Toronto and have been prattling to my wife about the remaking of the industrial revolution for a few years now. Anderson sums up many of these themes with lots of interesting stories in an easily readable style. I think there are a few things worth adding. First while digital fabrication technology is amazing it is only as useful as the people using it. A cnc router won't make you a good cabinet maker any more that a word processor will make you a good writer or a digital synthesizer will make you a good musician. A synthesizer enables a good musician to become a whole orchestra almost instantly. But a bad musician still sounds like a bad musician and a bad writer is just as annoying as ever to read. What these technologies do is allow the talented craftsman, musician, writer to be more productive than ever, and also lower the barriers to entry for the people with talent who are not part of the established social hierarchy. In my own shop I don't have my own cnc equipment. When I take on a project like a kitchen, I simply email lists of parts (doors, drawers, carvings) to fabricators not far from my shop and in some cases the parts come back to me the next morning. My suppliers don't stock inventory, they fabricate the parts digitally and so they can produce whatever I want in whatever sizes I want. This is the easy part of my job. The hard part getting the clients to decide on what they want, and figuring out how to fit everything they want into the space they have on their budget. To use a car analogy most clients want something like a "Hummer/Lamborghini/Porsche/Lexus/Rolls" for the price of a Focus. They often send me 3d cad drawings of their dream kitchen. It is nearly always like those famous drawings by Escher. At first glance they seem very geometrically precise, but they can't exist in 3 dimensional reality. Squaring this circle is always a challenge, and demands a combining the skills of an expert cabinet maker with those of a psychotherapist. The second hard part of my job is fitting cabinets which are always made to be regular shapes into old real houses which are never square or level. Accomplishing this task demands the skills of an expert finish carpenter, tricks that I learned from my grandfather. In short to be a cabinet maker in the digital age you still need all the skills of a traditional cabinet maker. However what digital technology and advances in new technology in general mean is that small shops can now compete with large factories in a way they couldn't 30 years ago. I can now offer my clients anything that large factory kitchen manufacturers could in the past. For example, 30 years ago complex cabinet door styles could only be made custom at great expense using traditional cabinet shop tools or economically in large batches at big factories. Now I can order 1 door if I need it economically. And, I can beat mass production companies hands down in terms of service and speed.In many cases I can also compete with mass producers on cost. This is because I have lower transaction costs. One of the things that frightens small scale producers is the fact that labour costs of small scale production can't compete with mass production particularly if the goods can be produced in places like China. People say "They make that thing in China for $5, how can I compete". However, if the small scale producer sells locally they don't have to compete with the $5 labour cost in China; they only have to compete with the $50 or $100 retail cost in their local market. The goods that are produced in China have a long list of transaction costs associated with them: transportation, wholesaling, retailing, packaging, inventory, obsolescence, corporate expenses and profit, mass market advertising and promotion. All these costs mean that the widget that is produced for $ 5 needs to sell for $ 50 or $ 100 to make a profit. This leaves lots of room for local artisans to make a living, as long as they keep their transaction costs down. Anderson points out the digital crowd is rediscovering actual reality. I think he does not go far enough in this. People like actual reality. One of the things little noted in the frenzy of the digital revolution is the success of the Home Depot retail model. 30 years ago building materials was a virtual business. Materials were stored in warehouses to which customers both commercial and retail had no access. Most businesses would simply phone the supplier, say what they wanted and give an account number or use a visa and it would be delivered, much like ordering things online but over the phone. Even if you went to a lumber yard, you would usually go to a desk and order things and they would be brought out to you. Home Depot changed all this by putting everything on open shelves so people could go in a play with it. The builders supply became playground for handy people. At the height of the virtual revolution, Home Depot took over the market for home building supplies by `going actual'. I find this in my own business. While the web is a good way to get my name out, showing people real physical samples is the best way to close a sale. After a visit I always make sure I leave a potential customer with a few samples to play with. This way my brand sits on the kitchen table while they are trying to come to a decision. All this points to the possibility of a business model that Anderson hints at, but does not really explore; the return of the traditional neighborhood artisan. A few hundred years ago if you wanted a pair of shoes, or a coat or a piece of furniture you went to a shoemaker, or a tailor or a cabinet maker and told them what you wanted and they made it for you. There was personal contact between the producer and the consumer, you could touch and feel the materials and say what you liked. People could take pride in their work and see the smiles on the faces of happy customers.This was a world wiped out by mass production. Huge production runs meant the artisan could not compete with mass produced goods. But mass production brought its own costs. The producer and the consumer became separated by a huge faceless corporate distribution system, which pretended to care, but most suspected really didn't. This was partially documented by Marx as worker alienation. The flipside, consumer alienation, is perhaps best documented by Monty Python. Mass production also brings with it a whole host of transaction costs, noted above, which make it not as cheap as it might at first appear.New production technology offers the possibility of changing all this. When I go to a shoe store it is always a frustrating experience. I always want some combination of style and size that they never seem to have in the back. Imagine however if a shoe store had say 50 or 100 basic shoes that you could try on for size and fit, as well as some other samples that you could use to pick the styles. With the help of an expert shoemaker you could try on the fitting samples until you found something comfortable. Then you could use the style samples to mix and match all the colour and style details that fit your taste. This shoe store would not have a big warehouse of boxes in the back but some rolls of material as well as some cnc cutting and printing machines and specialized assembly tools. Depending on the complexity of the order you could go and have a coffee and then come back and pick up your order, or maybe come back the next day. This shoe store would give you exactly what you want as well as have some real cost benefits. There would be no packaging cost, low inventory costs, and much lower transportation costs. (Compressed rolls of material are much cheaper to transport and store than packaged finished good). Many of these cost reductions would also be environmental benefits, such as less packaging and transport. And worker and consumer alienation would be a thing of the past.This is how I run my cabinet shop and I think it has great potential. Sign shops already work on this model. Perhaps the mall of the future could look like the high street of old, with shoemakers, tailors and furniture makers crafting what you want when you want them. The digital world provides the infrastructure and the tools, but the purchasing process would be actual and face to face. The best of both worlds maybe?(I also wrote a doctoral dissertation at Oxford which was in large part about the relationship of the world of things to the world of symbols, so I have also been interested in these problems from a philosophical perspective. My examiners, postmodernists who don't believe in outdated concepts like `reality', didn't take kindly to it.)
I am a fanI am a huge fan of Chris Anderson. Both "The long tail" and "Free" are great reads andTruly thought provoking. Both, but particularly "Free" is a book we use regularly with clients. The question asked is "what happens if your service will become available for free (which it will)?Talk about throwing a fox into a chicken den.Digital disruptionA few weeks ago we used "Digital disruption" as a way to explain to a client the speed of innovation. We are now talking overnight, Big Bang disruption, by Coder dojo trained entrepreneurs using free tools, utilising global platforms, using shared IP, open source and community principles as a key features to compete with the big boys (and winning). In "digital disruptions" there are a few references to the "making community" and how that will be the next wave of disruptions. "Making" as the new black.MakersAnd presto, a few weeks later there is Chris Anderson with "Makers, the new industrial revolution". Another cracking book about how the same principals that transformed the ICT world is going to transform the manufacturing world.Must readA book that should be read by any policy maker in the area of entrepreneurship, SME policy and economic development. Will be sending Richard Bruton a copy.Digitised DIYDigitised DIY, where the need for economy of scale no longer applies, bottom up, highly networked, open source, with access to all the production tools you need with a single click of a mouse. Where the long tail of things creates millions of opportunities for small local businesses. The one-size fits all approach of the large manufactures no longer need to apply. You can make small batches at compettive prices. Scale is no longer an issue.Jump on the bandwagonFrom an entrepreneurial perspective, the maker movement is where ICT was in 1985. You can already predict where this is going, apply the lessons and get on the bandwagon. But it also behest on the education system to jump on the same train and teach making. We need a 3D printer in every school.3D printingWhich brings us to printers. Remember the dot-matrix printer? That is where 3D printing is now. Now you have a small printer on your desk, printing HD colour pictures. That is where 3D printing is going. In materials, biology and DNA. For 99 Euro per printer.Killing giantsOpen source hardware, with no patent protection, shared by a community of passionate, people. For the large manufacturers it is going to be very hard to beat that. Open source innovation is cheaper, faster, better researched and already has a head start in market research, marketing and support. With social capital and your eco system the new marketing tools. With word of mouth automatically build in. With a lot of emphasis on branding and trademarking.Loosing the talent warAnd because it is driven by passion, it will attract the best talent from all over the world, working together. Try to beat that as a company. The long tail of talent and the need for a drastic relook on the way your organise your business. Which brings us to books such as "Loose" or "The connected company".No barriers to entrySo as a company you are now loosing on economy of scale, IP, marketing, talent and passion. Maybe finance as the last barrier to entry? Alas that is why they invented crowd funding. Which even reinforces all the above. The market research, the selling, the word of mouth, the social media, the story telling, the community, the speed to market, the channel, the distribution and the beginning of what Brian Solis calls the dynamic customer journey and constant feedback loop (from "What is the future of business" #WTF).Spot onChris Anderson has been spot on with his earlier books and I think he is spot on with "Makers". From a policy perspective, from an educational perspective and from a personal perspective. This movement can transform economies, people and allow you to finally follow your passion.
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Jumat, 15 April 2011
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Product details
File Size: 15167 KB
Print Length: 110 pages
Page Numbers Source ISBN: 1619490226
Publisher: W. W. Norton & Company; 3 edition (April 18, 2013)
Publication Date: August 7, 2015
Language: English
ASIN: B0156VNPI6
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Amazon Best Sellers Rank:
#224,404 Paid in Kindle Store (See Top 100 Paid in Kindle Store)
We ordered the Alice in Wonderland with the green leather cover. I thought it was difficult to tell which reviews went with which versions. I'm really glad we grabbed this version, the cover (despite the ugly green color) is quite beautiful with embossed lettering and shiny red roses and border. The edge of the pages are golden, there is a red ribbon for marking your page. All of the original artwork is presented, and the page layouts are perfect. The front and back cover have a vivid full color painting of the tea party. If you are looking for a high quality version of the book, I couldn't recommend this one more. The size is medium. It is half way between the size of a paperback and a hard cover text book.
This review is for the RED "hardcover" and I will post pictures because when I read reviews prior to purchase I was super confused and had no idea which book the reviews were about.First, the cover is gorgeous but it's not "hardcover" (see photo). It's a lovely soft cover, covered with leather which is partially embossed; the gold lettering appears to be painted on. The back cover is just as well made and embossed as well.Second, this is the full version of both stories, not an "abridged" version.The generous illustrations are beautifully done.I can't believe this book is only $10!I hope my review helps!
I had a difficult time determing which version was being reviewed in many of these reviews, so I am specifically reviewing the version that is illustrated by Anna Bond. This is a great version to use with younger kids- it has larger print and illustrations on almost every page. If you want to purchase accompanying audio to listen with, just buy the unabridged version and it should be a match.
This is incredible! Absolutely beautiful.. Extended my expectations!! I have seriously never seen a more beautiful book! The detail is awesome and even the story itself is from the original Lewis Carroll version. Not only is each page a beautiful pop up.. But each page has mini fold out pages with more pop up artwork. This will be a keepsake for our family. SO glad I bought this and will look at buying others!
I loathe when Amazon lumps the reviews of different books together so this is for the hardcover version illustrated by Charles Santore. The cover is beautiful with an older looking cover and the color illustration of Alice falling. The sketches throughout the book are in black and white. The pages are thick and sturdy but cut roughly on the sides. The font is a great size and spacing and on a very white background. I hate when they use a small print and tight spacing on older books. The sketches are beautifully done and do a wonderful job of bringing Alice and the story to life. They do pale in comparison to the illustrated versions but unfortunately that edition is abridged. I had never read the story before so I was not aware of the differences between Alice’s Adventures Underground and Alice's Adventures in Wonderland but there are many. This book for example does not have the chapter on the Mad Tea Party. That and other parts would be added in to the story so if that’s the version you are interested in than this is not the version for you.
I don't always like annotated editions, but I bought this one because both stories were included and it retains all of the original illustrations like the ones I remember reading as a child. Having said that, I enjoyed the illustrations by other artists included for historical context. Some of them are quite stunning, in fact. The thing I hate about annotated editions is the way the annotations create visual "clutter." Yes, that is the case here as well. I really have to force my slightly OCD-like mind to ignore that and concentrate on the text of the story. However, as a history buff, I enjoy reading the annotations from a historical perspective. It's a big book, so if you enjoy a hefty hardcover, this is the one for you.
This review is specifically for the penguin hardcover cloth-bound classics edition (white with pink flamingos)!Naturally, the tale of Alice in Wonderland (told in two books; Alice's Adventures in Wonderland and Through the Looking Glass) is definitely a fun, unique tale that appeals to children and adults alike, so of course I wanted to own a quality copy of it! I like how this edition contains both books and is hardcover with a simple cover design that looks timeless and elegant on my bookshelf. The book is full of useful notes and information in edition to having the tale; plus it contains the classic illustrations too! The paper is very high quality, the printing very attractive, and overall it was well worth the $10 I spent on it. I thought it was such an attractive edition that I bought one for my sister, who is a collector of the various editions of this tale. I've no complaints except that I don't really care for how rough the fabric is; it's not very nice to hold in your bare hands in my opinion, and it makes a sound when it's placed on the shelf next to other cloth-bound hardcovers from the penguin classics series, so those are two things to keep in mind. I personally would have preferred either a softer fabric or for the books to have been bound in hard-backed pleather.
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