Kamis, 27 November 2014
Ebook Henri Cartier-Bresson: The Mind's Eye: Writings on Photography and Photographers, by Henri Cartier-Bresson
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Henri Cartier-Bresson: The Mind's Eye: Writings on Photography and Photographers, by Henri Cartier-Bresson
Ebook Henri Cartier-Bresson: The Mind's Eye: Writings on Photography and Photographers, by Henri Cartier-Bresson
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From Library Journal
Supremely accomplished and influential French photographer Cartier-Bresson guided the evolution of the photographic medium while creating an enormous body of work. His photographs of people, famous and obscure, always contain a strong psychological component deriving from formally perfect compositions and a temporal ambivalence that characterizes only the most powerful static images. This slight book contains short essays by Cartier-Bresson along with some less interesting aesthetic epigrams and tributes to fellow artists. This is the first published collection of his writings, though large chunks are taken from books he published in the 1950s and 1960s. And while there's not a great deal of his writings to be collected, what's here is pithy and laconic without being sententious. His artistic philosophy is well captured by his landmark 1952 essay "The Decisive Moment," contained here, probably the most poetically instructive evocation of the field photographer's art yet written. This is a useful and important title from one of the defining sets of eyes in the cumulative visual record of the 20th century. Recommended for academic and large public libraries.DDouglas F. Smith, Oakland P.L., CA Copyright 2000 Reed Business Information, Inc.
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About the Author
Henri Cartier-Bresson was born in France in 1908. He studied painting and then began to photograph in the early 1930s. After escaping from prison camp in 1943, he made portraits of artists, covered the liberation of Paris and filmed a documentary on the return of war prisoners. In 1947, the year he had his first show at MoMA, he also founded Magnum Photos with Robert Capa, George Rodger and David Seymour. Not long after, he began in earnest the life of a traveling photographer, working in India, Burma, Pakistan, Indonesia, China, Japan, Mexico and Cuba. His first, defining book "The Decisive Moment" was published by Teriade in 1952. By the late 60s, he had almost ceased making reportage to re-embrace his first passion, drawing. Cartier-Bresson created his Foundation in Paris in 2003, and passed away in 2004.
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Product details
Hardcover: 112 pages
Publisher: Aperture; 1st edition (June 15, 2005)
Language: English
ISBN-10: 9780893818753
ISBN-13: 978-0893818753
ASIN: 0893818755
Product Dimensions:
5.8 x 0.7 x 8.6 inches
Shipping Weight: 12 ounces (View shipping rates and policies)
Average Customer Review:
4.2 out of 5 stars
48 customer reviews
Amazon Best Sellers Rank:
#260,430 in Books (See Top 100 in Books)
I think it would have been a tall order for Henri to write down the information you would need to reach his level of photography. There are some exceptional documentaries on YouTube for free that you could take advantage of by watching to get some insight from him in his own spoken words and examples. This short read is his collection of writings that brings to a point photography of the day as it was for him. When he mocks the idea of the golden rule being etched onto a lens I sort of grin at the thought of grid lines appearing in modern DSLR cameras to guide in the use of rule of thirds. All this being said - in written words Henri conveys what he's thinking in some of the more general senses of his time with photography where the camera is his sketchbook and where you can try to find another 1000 words in the photos themselves ;) Color photography has come a long long way in the digital world so at a first read you might wonder why he avoided the use of it and made a point to write about it. Therefore, you have to read his writings with the respect he is due for his total mastery of photography. Make no mistake - he was a master. He didn't take the time back then to write about the formula it takes for him and how you can use this formula to get the same results with any camera. He gives you something more intimate in fact - his raw emotions of the world he lived in and how the camera reached out into the world as an extension of himself. Each person has his or her own art inside them and if you understand and appreciate the very fundamentals of photography then you have taken one more step in trying to reach your goals of an artist perhaps. If you read this book with these things in mind you will take something away from it :)
Yes, this is a small book, and, possibly too much of it is taken up in verbal bouquets tossed to old friends, tourist information about side-trips to various countries, and practical advice to would-be photojournalists.But those asides aren't the guts of this wonderful book. The important message from this man, who without question was the most influential photographer of the twentieth century, is that if you want to make good photographs you need to look, and you need to internalize a kind of respect for subject, context and geometry that allows you to SEE when you look, without resorting to arbitrary crutches like the "rule of thirds."Probably the most important words in the book are these: "To take photographs means to recognize -- simultaneously and within a fraction of a second -- both the fact itself and the rigorous organization of visually perceived forms that give it meaning."That's what the book is really about. Anyone who hopes to become a competent photographer needs to internalize that message.
Henri Cartier-Bresson, one of the founder of Magnum Photos rarely write, he rather shoot or sketch. That makes this book quite rare and significant. It compile Bresson writing in one book. Bresson discussed about his thought about photography especially photojournalism.By reading this book, you get insight about what inside Bresson's mind on photography, philosophy and what he thinks about other artists. Part two of the book discuss about Bresson's travel to China, Cuba etc. It provides interesting insight on his journey.However, this book is not technical how-to book, if you are looking for book that teach you how to take photo like Bresson, then you are looking for a wrong book. However, I think that the map/rules for Bresson's style can't be explained because it is basically no rules or map. But, you can get some valuable insights from this book and perhaps get a feel what Bresson is about.Here are some interesting paragraphs that I quote right from the book:"Subject does not consist of a collection of facts, for facts in themselves offer little interest. Through facts, however, we can reach an understanding of the laws that govern them, and be better able to select the essential ones which communicate reality.""The camera is for us a tool, not a pretty mechanical toy. In the precise functioning of the mechanical object perhaps there is an unconscious compensation for the anxietes and uncertainties of daily endevor. In any case, people think far too much about technique and not enough about seeing.""Complicated equipment and light reflectors and various other items of hardware are enough, to my mind, to prevent the birdie from coming out."
Keep reading and re-reading this little book for the gems it has within! Anybody interested in either Henri Cartier-Bresson the photographer and/or the person, as well those looking to find insight and enlightenment into the "decisive moment" and what it really means to capture moments of our lives (and those of others') ought to read this and hopefully obtain and retain some of the ideas presented in this compilations of things and topics related to HCB and photographic processes.
Very little if any technical guidance, but great insight into the philosophical approach of Bresson's work. A quick read that can be returned to as needed for inspiration.
It is a book of Cartier-Bressons' philosophy toward photography and art in general. I expected to read detailed approaches to photography that would make me a better photographer. I decided to read it again (its only a 100 pages long) and found that I appreciated it better the second time, and just let my 'artistic mind' wander with the author.
It's okay. A little disappointing. A fine, quick read, but not one to add to the collection. You're better off going to the rare book room in your public library and reading The Decisive Moment, or put the money for the book towards the re-release of the aforementioned book.
Simple, beautiful thoughts on creating the image in mind. Cartier-Bresson also shares insights on his travels and cultures he had experienced.
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Download Ebook Stumptown Vol. 2: The Case of the Baby in the Velvet Case, by Greg Rucka
Download Ebook Stumptown Vol. 2: The Case of the Baby in the Velvet Case, by Greg Rucka
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Stumptown Vol. 2: The Case of the Baby in the Velvet Case, by Greg Rucka
Download Ebook Stumptown Vol. 2: The Case of the Baby in the Velvet Case, by Greg Rucka
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About the Author
Greg Rucka began his writing career in earnest at the age of 10 by winning a county-wide short-story contest, and hasn’t let up since. He is the author of nearly a dozen novels, six featuring bodyguard Atticus Kodiak, and three featuring Tara Chace, the protagonist of his Queen & Country series. Additionally, he has penned several short-stories, countless comics, and the occasional non-fiction essay. In comics, he has had the opportunity to write stories featuring some of the world’s best-known characters—Superman, Batman, and Wonder Woman—as well as penning several creator-owned properties himself, such as Whiteout and Queen & Country, both published by Oni Press. Greg resides in Portland, Oregon, with his wife, author Jennifer Van Meter, and his two children. Matthew Southworth is a musician, playwright, filmmaker, and cartoonist who has living in Seattle, Washington. He used to lead a band called the Capillaries, and they never broke up. He directed an independent feature film that he very nearly finished. He came this close to getting his Masters in playwriting and directing from Carnegie Mellon University. In addition to Stumptown, he has drawn comics for Marvel, DC, and Image. Rico Renzi is an artist and designer from Washington D.C.. His work has appeared in WIRED and Fast Company Magazines, and various publications from D.C., Marvel, Image, Dark Horse, Scholastic, Boom Studios, Oni Press and IDW. He currently colors Spider-Gwen and The Unbeatable Squirrel Girl every month and resides in Charlotte, North Carolina with his wife and daughter.
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Product details
Series: Stumptown (Book 2)
Paperback: 144 pages
Publisher: Oni Press (April 24, 2018)
Language: English
ISBN-10: 1620104806
ISBN-13: 978-1620104804
Product Dimensions:
6.6 x 0.5 x 10.2 inches
Shipping Weight: 14.4 ounces (View shipping rates and policies)
Average Customer Review:
4.3 out of 5 stars
10 customer reviews
Amazon Best Sellers Rank:
#402,603 in Books (See Top 100 in Books)
Greg Rucka's crime writing skills continue to impress me, and Southworth's art is amazing. This volume has a car chase that is drawn astonishingly well. If you like mysteries, female protagonists, or Greg Rucka, you should pick this volume up.
Great A++++
This is the last of the books I received in the Powerless Comic Bento box. It is a detective story set in Portland, OR.A musician has a guitar stolen at the end of a long tour and hires the detective, Dex Parios, to find it. She is a very typical private eye, but that is just fine for this book. Of course, Dex discovers that there is more to the story as she digs into the investigation. She runs across band members and roadies and is confronted by the DEA.The art is great. There is a chase sequence about halfway through the book that is fantastic. I always enjoy when creators are willing to take a chance on doing something different like that.Not much to say on this one. It fits within the genre very well, but I would have liked to have seen some more development on Dex.
The 3rd story in a good series. Each story is a stand alone adventure so you can pickup here and still enjoy. However there is some overlapping back story items from the first two books. Dex Parios is a private detective in Portland Oregon. She balances her career and caring for younger special needs brother who has Downs. This story finds Dex investigating the sever beating of one of her friends outside of a soccer match. Through the course of the story we also learn more background on Dex and some of the demons she deals with as a result of her time as an Army intelligence officer. Dex has to deal with her personal issues and the possibility of and old foes involvement in the beating of her friend. A well written story, a very human protagonist, and excellent characters combine for one great story.
This is a pretty good read. I love the illustration work, and the story was odd in a good way. The story seemed kind of goofy, but there is a much bigger, darker story going on in the background. I definitely want to read the other volumes to continue on the story and see how everything unfolds. I read this one right through rather than coming back to it at a later time. I would reach the end of a chapter and want to know more, want to know what happens next. It's not something I would usually read, in fact it's way out of my normal reading interests. I usually only go for superhero based stuff, but I definitely recommend Stumptown, it's enjoyable.
The art in this novel is so gorgeous. I love the feel, as well as the colors used. This hardcover is definitely worth getting. It has a great look and feel with matte cover and pages. Definitely a beautiful work of art. As for the story I really liked it as well. It wasn't the typical mystery which I loved. This was my first Stumptown book since I didn't read the first, but I totally enjoyed this one regardless
I picked this up off the library shelf because the color pallate of the cover intrigued me. I'll admit, sometimes I am that shallow.I'm glad I did. This was a nice little action-packed mystery based on rock-n-roll and drugs.What I didn't know when I picked it up was that it was part of a series. I think there were a couple of call-backs to character-development things that I missed, but for the most part this is a pretty self-contained book that is a fine way to waste an afternoon.
My favorite volume of Stumptown... this collected edition has a distinct advantage to reading it in single issues: the matte paper & slightly oversized hardcover format make it well worth the money for fans of complex stories about fallible & all too human private detective Dex Parios.
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